He Quit Law for Music. Now His Comedy Books Are Becoming Films | Steven Trio
Steven Trio qualified as a solicitor, lasted just six months and walked away to pursue the musical career he'd always wanted. What followed was a creative journey through jazz, songwriting and comedy writing - and now his stories are heading towards the big screen.
In this entertaining conversation with broadcast journalist Chris Dabbs, Steven talks about defying his father's expectations, finding musical success, discovering a gift for absurdist humour and his plans to adapt his writing for film..
Key Takeaways
- Steven Trio qualified as a solicitor due to his father's expectations, but ultimately left the legal profession after six months to fully commit to a creative career in music and writing.
- A classical piano introduction at age eight sparked a lifelong passion, which later expanded into blues, jazz, pop songwriting, and a hit record in South America.
- Drawing on his early training and real-life experiences in criminal law, Steven infuses genuine courtroom drama and absurd humor into his writing, poetry, and political satires.
- Transitioning from writing three-minute pop lyrics helped Steven develop the discipline for crafting punchy verse, poetry, and comedic novels destined for the screen.
- Steven's creative journey demonstrates the importance of embracing one's unique potential and finding the courage to pivot away from societal expectations to follow genuine artistic passions.
From Lawyer to Laughs: The Remarkable Creative Journey of Steven Trio
What do you do when you've spent years qualifying for a respectable profession, only to discover that it's the last thing you want to do? For Steven Trio, the answer was simple. Walk away.
Six months after qualifying as a solicitor, he abandoned the legal profession to follow his passion for music. It was a decision that would shape an extraordinary creative journey - from jazz pianist and composer to songwriter, comedy writer and aspiring filmmaker.
In this episode of Author Conversations with Chris Dabbs, Steven looks back at the decisions, opportunities and unexpected turns that helped him build a creative life on his own terms.
A Musical Beginning
Steven's relationship with music began when his parents introduced him to the piano at eight. By fourteen, he was composing his own music, developing an enthusiasm for blues, jazz, reggae, funk, soul and Latin American styles.
But his father had other ideas. A career in music hardly seemed respectable, and the legal profession offered a more conventional route.
Steven followed that advice, qualified as a solicitor and then decided he'd had quite enough.
He explains what happened next, how his musical ambitions developed and the experiences that ultimately helped him find success as a songwriter, including a hit record in South America.
Discovering the Ridiculous Side of Life
Music wasn't Steven's only creative outlet.
Over time, songwriting led towards poetry, humour and increasingly elaborate comic ideas.
His books include Boobydoo, Burn and Yearn, The Jazzgate Scandal and A Voice to Die For.
Much of his humour begins with an unexpected perspective on something ordinary. In Boobydoo, for example, a pair of lungs can feel lonely, while a cloud has rather strong opinions about aeroplanes flying through it.
Steven discusses the importance of wordplay, the craft of constructing a punchline and the difference between enjoying comedy and actually writing something funny.
The conversation also explores his influences, including Spike Milligan and classic screen comedy.
When Comedy Meets Politics
In The Jazzgate Scandal, Steven turns his attention towards political satire, imagining an American President convinced he's a famous jazz singer.
The book provides a starting point for a broader discussion about farce, absurdity and the challenge of writing satire when real life can sometimes seem stranger than fiction.
From Books to the Big Screen
Towards the end of the interview, Steven reveals an ambitious new direction for his creative work.
He says production work has begun on a screen adaptation of A Voice to Die For, with plans for another feature-length film and several shorter projects.
It's a natural development for someone whose creative interests have always crossed boundaries between music, storytelling and performance.
A Conversation About Creative Freedom
At its heart, Steven's story is about the freedom to change direction, question other people's expectations and pursue what genuinely excites you.
From an unwanted legal career to a life built around music, writing and comedy, Steven's journey demonstrates that creativity rarely follows a conventional route.
And judging by his enthusiasm for the projects ahead, he has no intention of becoming sensible now.
Find out more about Steven Trio:
https://steventrio.com/
Watch the conversation on YouTube:
https://youtu.be/tdwJztjqSm8
Explore more interviews:
https://www.author-conversations.com/episodes/
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https://www.author-conversations.com/episodes/
Frequently Asked Questions
Who is Steven Trio?
Steven Trio is a jazz pianist, composer, songwriter, and author who transitioned from a brief career as a solicitor into writing comedy, satire, poetry, and books destined for film and television.
Why did Steven Trio quit his legal career?
Although he completed his training to become a solicitor to satisfy his father's professional ambitions, Steven realized office life was incompatible with his true passion for music and left just six months after qualifying.
What kinds of books does Steven Trio write?
Steven Trio's works range from political farce and satire like 'The Jazzgate Scandal' to illustrated comic verse and stories like 'Boobydoo', 'Burn and Yearn', and the screen adaptation 'A Voice to Die For'.
How did Steven Trio's background in law influence his writing?
Working as a solicitor and experiencing real-life courtroom dramas provided Steven with a deep understanding of human nature, dramatic tension, and unique characters that heavily permeate his storytelling.
Where can I find Steven Trio's books and music?
Steven's official website is www.steventrio.com, where listeners can discover more about his creative work. Also www.author-conversations.com/steven-trio
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[Music]
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Hi and welcome to all of the conversations as usual with me, Chris Dabbs.
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Now, today we've got, I think it's going to be quite a good fun actually, so listen up
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because if you were to laugh, I think Steven's the guy who's going to give it to you.
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Now, let me introduce in first of all, not that I'm setting you up to fail here, Steven,
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but anyway, Steven Trio's route into writing isn't exactly conventional, I have to say.
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So, first of all, okay, slightly conventional, you hated school, but unconventionally,
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you discovered the piano at eight and was composing by 14 and you wanted to become a musician,
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which is amazing. His father, however, thought, I don't think so, he should find something
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a little more respectable first, right? So, Steven, you qualified as a solicitor,
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Chobbalee is everyone, six months later, he quit that. I mean, you go through all of the,
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all of that work to become a solicitor and then you quit. But what followed was a career
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as a contemporary pianist, a composer, and eventually another creative direction writing,
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writing comedy, satire, and some wonderfully strange stories, I've got to say. So, it's amazing,
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isn't it? You know, you can go from really just following a contemporary career and then becoming
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a pianist and composer and basically doing what you wanted to do in the first place.
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Now, Steven's books range from political fasts to illustrated comic verse, featuring everything
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from Lonely Lungs, which obviously made me chuckle, and clouds complaining about aeroplanes,
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which actually made me think, I have to say. So, Steven Trio, welcome to all of the conversations,
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I think we're going to have some good fun, oh, wait. We are indeed. Well, I'm very pleased to
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meet you and to be here. And let's get cracking them. Okay, cool. Well, yeah, absolutely. Well, Steven,
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you say that you hated school, right? You say you learnt absolutely nothing and were, oh yes.
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Effectively plonked in front of a piano at eight. Now, plonked for our people who are
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necessarily from our nick of the woods, you'll have to explain what that means as well. But that piano
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seems to have changed everything in your life, isn't it? I mean, what was it about music that grabbed you
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when school clearly couldn't and start with explaining what plonked means? Well, my parents came from a
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tradition when this is going back a long, long way. Maybe I don't want to mention dates and years
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and stuff. However, it was pretty everything pretty much and it was the tradition to put kids onto
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instruments, whether it was a violin or the flute, ukulele or the piano. And so a piano appeared in our
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house and my sister and I were deposited on the keyboard. My sister, who was three years older than me,
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she put her hands on the piano and decided to give up her music career instantly. She said,
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"This is not for me." Then it became my turn and I put my hands on the piano and I had a strange
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sensation like I am back with an old friend. But I was so young I couldn't articulate
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the feeling or the emotion whether it's like a deja vu feeling or something but it's like I'm with
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an old friend and I was natural piano player from the beginning. I couldn't play much. My hands were
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small but my parents brought in a a water-chinned tight-bunned old-age lady piano teacher to teach myself
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some piano and what she noticed was he said to my parents, "Well, he's a natural." The only thing was
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is that what she taught was scales and arpeggios and little classical pieces and by the time I was 12
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I was utterly demoralized because something had already set in whereby I couldn't articulate it.
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I couldn't enunciate it but there was something that was saying that me and the piano are going to be
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together in some form and she was teaching me this stuff and I would, it drove me into the ground and by
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the age of 12 I was demoralized and it's not good for a 12-year-old to be demoralized with life already.
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It's a little bit early but something had gone missing and I didn't know what it was at that point
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but it was enough to, I gave up the piano lessons and then I started to just drift. We were at school
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of course at that age and and then other things happened and I had friends who were getting into
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music and so on and then it drifted back into my life in a completely unexpected, unpredictable,
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amazing way. It's sort of a little bit like divine intervention is the only way I can describe it
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because I didn't know that I had the ability to compose music or to improvise and yet when I first
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started to hear that music from friends and we were like 12 years old I was listening to some blues
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record and I thought what on earth is this music and what happened was that my father had bought me a
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cheap very cheap small record player the early days of vinyl and my friend lent me this record
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and he said listen to this, see what you think I put it on the turntable and I fell in love with it
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and I was only 12 ish 13 and it was country blues American and I totally related to it and from the
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record I would play it and play it I would play a phrase and I went to the piano and I found the notes
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on the piano and I went backwards and forwards and backwards until I was starting to play some blues
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phrases on the piano and I absolutely decided I am going to beat a blues piano player that is it
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I'm done that's my future but I was only say 13 14 and what lies ahead of you at that age is like at
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least five years of slugging it out with GC's and A levels school examinations none of which I
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understood nobody ever asked me and I'm sure it's the price to most kids well what do you want to do
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what are you interested in what are your talents this never came up it's like you're on your own
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and you're young but somehow I knew but how I didn't have any how life worked how I would translate my
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feelings into action what do you do so began a journey of really having to finish school and get it
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out of the damn way because it was just a distraction because it didn't help me in what I wanted to do
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well my father comes into play here because he came up in life the hard way and from a young age
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he didn't have a schooling he had to go out to work early and earn money and bring it back
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on the table so the family could eat that was his background and he his thing was if ever I have kids
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they're not going to go through what I went through if I have a son he's going to get a good job
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and not suffer the way that other people including himself had suffered
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but here was the issue because he was a frustrated lawyer he loved the law
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and he would have loved to become a lawyer and that was never going to happen not with his life so
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to the senses so what did he do he foistish his goal onto his son and I proved to be intelligent
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enough to get through the examinations I mean I I pulled it off but we had a sort of a bargain
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and emotional blackmail it was heavy scene where as a youngster I had no idea how to form a band
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what to do how to make money for music I just had this romantic notion that I'm going to play
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music and we came to a bargain he said listen playing music it's a little bit of a joke you're not
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going to make any money at this let's be real this was his attitude so he said look get a great career
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behind you and do music as a hobby how what's wrong with that so I in my blissful ignorance
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and not old enough to take on my father who was quite a strong character I wasn't I wasn't up to
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that to tell him to so basically I buckled and I said well okay I don't see a way out there's a door
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there but I I don't know any other way except to go through this door to the other side which is
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to complete this thing let's do this bargain make him happy and then I do my own thing
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and that is what happened but there was a heavy price to pay because the day came when I qualified could
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he imagine how happy he was so it was a big moment for him I mean my mom was my ally really she
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whatever I wanted to do she was fine she had to go along with my father's wishes and this thing but
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that came a point when I couldn't take any more of working in the office this office life wearing a
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suit you know it's like I know I'm a musician come on and I started to screw up work cases and I was
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working on things weren't going right and the senior partner was it was very much like a father figure
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he was very perceptive of all the staff and he had a lot of youngsters working there as article
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clerks you know and he spotted that I wasn't happy and one day I got a call to go up to his office
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the senior partner and he said to me Stephen are you happy I said no he said what is it you actually
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want to do I said I want to do music he said I'm letting you go you're free to leave
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by that time I had qualified and I was there for about six months after the qualification but that
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moment was like getting it let out of jail I ran into Fleet Street I was running all taken off my
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suit jacket chuck it in the bin tear off my tie you know I was now it was music but of course I had a
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tremendous challenge how to explain this to my father yeah can I just let me just pick you up
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and something there is quite interesting I mean now solicitor I would have thought it was just like
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a family solicitor but from what you're explaining it's a bit more than that I mean you what you
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were trained to be a barrister then at that time in the 1970s I've given away my age a bit now but
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in the 1970s you have the barrister who speaks in court and the solicitor who prepares the case
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for the barrister there are there are cases where solicitors can speak in court and serve
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of services but generally speaking the sense to prepare the case so that's is what I was training for
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and I did a lot of criminal law and I had some unique experiences which actually affected me and
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helped me when I came to write later on I had a lot of life experiences that were that your average
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person is not going to get unless you work say in criminal law because you're going to come into
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contact with people like for a metal class kid if in my out bringing wow you know like people who use
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the knife who might kill I mean I can give you a real life example with the type of thing that you
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would only see in a movie or on TV one day I got a call I had to go to a to the old Bailey as a young
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clerk take some papers and deliver them on the desk the bench to the barrister that's all it was
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so I go into this incredible chamber it was dark and the benches seemed very high the judges in
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his wig and the red robe there's a jury set up and there's a little lady in the in the defendant box
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and I had come in unbeknownst to me at the tail end of a murder case and she was charged with murdering
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a young baby that man somehow fell out of a cop she was a carer and I was looking down at the bench
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and they were photographs of this baby and I was going what is happening it was so unreal
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and I had arrived at a point where the jury was going to be sent out to deliver the verdict and I'm
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telling you Chris if you had seen this lady you would have said she's not guilty of murder I don't know
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how this came about I that was my instinct straight away like please you're not going to convict
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this person she couldn't commit murder I'm sorry so we went through the waiting period well eventually
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they come back it's like watching a movie the foreman stands up you know do you have a verdict
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up which you're all agreed yes you're working if he stands up they said and they hand the verdict to
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the judge he reads it he hands it back and the foreman said his ass and how do you plead
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we find the defendant not guilty she collapses into the arms of a police officer who's by her side
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I collapsed I mean I thought my goodness I was right I knew she didn't do it but it affected me
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for the rest of my life because I would never have gotten that close to that situation I don't
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have seen it in the movie but it's real it's real and the person who is charged is real and her life
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was in the balance and that kind of experience it was so real to me it's probably permeated my
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my writing because the law had a big effect on me in the the type of people and the situations
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that we get into in life is food for a writer I can tell you yeah that I can imagine I mean yeah
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I think that that is that that's the point my wife is a Samaritan she's quite amazed at the fact that
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all this happens because she's similar to in background to I guess what you had so she no idea
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that these things happen and yeah she's meant to put up with it on that and it is it is quite interesting
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isn't it I mean and that makes sense then really I guess because you're a musician right you're creative
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you know that's the sort of thing that you wanted to do and finding your sort of your meti
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like at that early age and then doing a deal with your father you know I that's yeah that's something
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so but at least you carried through though right and you did what you said but I bet he was not happy
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when you came home how long did it take you to tell him that that was what happened I'm going to
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give some spice to the interview because it was his whole life of course and he actually had
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an angina attack to this day I don't know if it was real or he was needing some thing I couldn't tell
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you but I did see him laid out and he was not healthy he didn't die or anything but he would say
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he had chest pains now that could have been an emotional blackmail situation it could have been like
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look what you're doing to be you have to stay with I mean it didn't materialize because I had crossed
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the rubricot I mean this was my life and this was it I paid a heavy price not only all kids go
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through the schooling all those years you've got to add on another five years on top of that
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and stay with it and I did it in order to complete that bargain with him but actually the experience
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of Lord did come in there's a book I wrote a story called act of desperation which is a court case
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about a an entertainer so the two things came together and it was the easiest thing you know the
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thing about a court they're so full of drama it's a different world when you get in the witness
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Bob it's all different your under the spotlight is he lying you know you're trying to destroy one
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another you know and with a cross examination it's like well very dramatic so for a writer
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it's ammunition it's fuel it's fantastic and I did do that easily I wrote that but it's come
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through in the writing course of becoming a musician in my teens what happened was I started to
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listen to all kinds of music jazz blues phone I was more into rhythmic type of music just I gravitated
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towards that but the cable point when I had to join other musicians I realized this is what you
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know when I'm listening to music I'm listening to bands playing not single people playing so I had
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to get together with and that did occur through different means but I started to listen to pop
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music because in the 90 in the 60s when the Beatles came along and beyond then it was like the world
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changed I was hearing music like just take the Beatles for example like a song like yesterday for
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example that is a jazz classic a standard it has the hallmarks of a jazz standard and yet it was a
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number one pop hit and something occurred inside me I went hold on a second pop music has got fantastic
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songs it's not all simple crap there's tons of amazing pop songs with strong messages great
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production ideas strong musical hooks and what got me was the brevity of it like in three minutes
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you can get all that crammed in with a strong message strong melody and have the world singing to
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your son and I was absolutely taken with it I thought there's something in here for me and I like
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the idea of of writing short strong powerful messages and I stretched out from blues into these
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different forms of playing and I studied them and I played with different musicians in those styles
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and what happened was I started to write words and I don't know where that came from I mean there's
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just a you know something that one has but I started to write pop lyrics because it was required
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for me to do so and plus I enjoyed doing it well after years of doing that I realized one day I
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thought you know something I've been writing lyrics for a long time and pop lyrics are usually about
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love but they always rhyme if you notice that they rhyme and I thought I've been writing poetry and I
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never realized it I wonder if I can now write poetry for real and then I embarked on this journey
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of coming up with what ended to be probably about 180 poems maybe that's not a lot if you
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an established poet but I covered every territory you can and there was a lot of humor in there the
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humor for me is absolutely fundamental because I cannot take anything seriously for too long eventually I
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so for me the comedy comedy stars comedy actors comedy movies it all came into my writing and I'd
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started to discover who I am I'm not just a blues pianist this was a stepping stone on a journey
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of self-discovery and I did have a massive hit with a band that I was in we had it in 1981 we had a
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hit record in South America you can still hear the song today it's played pretty much every day it's
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called a more AMOR we had a hit number one and it's it's a it's a song that my friend and I wrote in
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about 10 minutes it's three chords with a simple melody and a simple message and yet it went
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oh straight to number in that in that area and although it didn't make it in the UK it's still
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being played around the world on the internet and I make some money from that so yeah thank you very
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much so these things these elements of my personality came together began to realize that I I am an artist
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and that that is what I do but it's not limited to one thing and I don't think there's enough years
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in a lifetime to probably find out what we all have potential to do you know because everyone is
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is a genius in their own way and I do not accept that people are not geniuses in their own way they
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are unique it's a matter of somehow finding out what it is that one can do so from a young age
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I think my luck was that I had some drive inside me already but not every child does but the obligation
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is still there for parents and education to find out the strengths of and the interests of the
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child and bring that out because sometimes I mean I fall to against everything in order to to get
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that out I didn't have parents who said yeah you're good at music yeah great do it that's what you
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want to do I'm with you no my mom was but she kept her mouth shut but I think that is the key thing
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you have to do that and then the child will find out for themselves but give them the chance I mean
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if you're going to sit back and wait for the child to pop you know say I'll actually you know
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I'm a ballerino or I'm an artist I'm with this I'm with that I'm actually an architect you know I'm not
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I'm not I'm not it could be anything but if you can find out what it is and encourage it wow
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that's a duty I think we have to to kids I was just lucky that's something triggered maybe it's
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funny isn't it this isn't irony that my father the one thing he didn't want to have happened
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he probably on himself he brought the piano into the house not thinking that his son is going to go into
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music you're just supposed to be a rounded pupil right that's that's what it is right oh
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okay what an irony what a twist do you know honestly what were you like but I think that this is
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it I mean living vicariously if you like through you know one's children sometimes does happen
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and I must admit I did the same thing with my son I went to a careers fair with him all this
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was stuff and he was whatever 1230 and I was saying yeah yeah because he was quite sort of argumentative
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and all this was and really you know quite good at thinking if you like and creative thing not
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critical thinking and so it was a case of really I thought oh maybe he could actually become a lawyer
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or sister or whatever anyway so we shtrooped around all the places and he obviously comes across
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quite well but he had no passion you know no passion and so I just stepped away at that stage
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I thought no no no and one of the other things that I thought of that you when you were just talking
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there is about finding your talent and finding everything else and that reminds me of like elite
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athletes okay I don't know if you know this I you've seen it like you know when we had the Olympics
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here in the UK it was a case of this is when I discovered it that if you had a cyclist who was
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like a gold medal winning world cyclist kind of thing at the end of the day they didn't necessarily
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start out a cyclist they could have started out on the track running they could have done something
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but someone somewhere saw that they had that the drive to become the the top athlete in their field
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okay and so that they change sports along the way quite often which I thought was really
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interesting what a way to be mentored right as you were saying because I you know I don't think
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teachers nowadays really have got the time I'm not saying they don't have the inclination but
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it's only don't have the time for what I hear it's to be doing that and maybe when we were at school
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we you know we had careers teachers you know they took some time out you know they were actually
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doing that well careers people I guess but anyway yeah okay so sorry I started going on
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thing but somewhere in the way you obviously you started you started to write and that's great
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and looking at your books but one of the main things here and I think that this is coming across right
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well quite well to everybody is it's pretty clear you've got a particular way you'll see the world
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all right I mean yeah we always someone who spotted the ridiculous side of life or did writing
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comedy develop later on in your life really well I always loved the comedy field there's some
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some comedy actors stuck you know like some certain music sticks and then it has an effect on you
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and so there were milestones in comedy for example my one of my comic heroes is Spike Milligan
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now he has a lateral sense of humor it's completely mad and I absolutely love it
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and that's one type of humor that I have and I write that just naturally but if you take for example
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comedy films thinking one recently some like it hot this is a co-pack of wild do you remember that
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one with Jack? Yeah totally of course okay good good so that had such an impact on me
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and I was young you know like men dressed as women it has a different connotation today I get it
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but at that time it was like pantomide for me it's just like oh it's funny you know
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men dressed as a woman it absolutely cracked me up I saw that myth film over and over again and one day
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it said you know something I would I want to write my own some like it hot because I know I can do it
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you know and I did do it and I have done it and it's something that will be coming out it's
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it's inspired by that but it is not that but it is inspired by that so what happened is is that
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people like Spike Milligan that movie and many many other male brooks I mean I could just go
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and listing out all the great comics but the there is something that a triggered in me which I
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didn't know I had and that is the ability to write punch lines because it's one thing to enjoy
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humor it's another thing to write it because whether you're writing comedy or you're writing
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nonfiction or serious stuff it doesn't matter what you're writing the task is the same it is you
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and it's the blank piece of paper and it takes a lot to craft comedy writing it isn't even if you're
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in maybe a natural comic or a natural comedian when you sit down to write a script or you're writing
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something that's going to be published it's a bit different to a stand-up comedian who might
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be improvising because there are those that do that but then there are those that still
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write out their folder and it takes what it takes to write anything make it fit make it work
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you're choosing words should I say this and I say that is that the right trunch line and it drives
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you around the bend it's the same for me it was the same challenge as writing a serious love song
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it's the same thing dedication to the task okay there's B and a blank I know I can do it come on let's
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have an idea and I have my own way of doing it what what happens is is that for me I'm not a creator
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who walks down the street you know I can musician and whistles are tuned and then frashes back to
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the piano and finds the tune I don't do that I'm not thinking about music or story ideas during the day
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I have something with me and the touch if I'm on the piano I will compose something immediately if
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I'm not on the piano I don't even think about it there's some contact that happens and it's the
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same with writing if I sit down and I'm putting my hands on the typewriter the keyboard I will write
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something and as soon as I've written something it may be cracked but I'll write something else it
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always leads to something and that is how I write and I found that that comedy it now when I read
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back I'm going did I actually write this stuff could I do it again the dedication was intense I mean
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I wrote all these all these illustrated human books and I have now what they are actually there's seven
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books right but they were written as one set of work over the course of the year many many years
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again and what I did was I had them sitting on a shelf gathering dust and it was this year that
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circumstances worked out where it got them published and and so on but it's one body of work which I
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divided up into the books because that was the number is about 84 pieces and I divided it by seven and
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here we go but the but once I started that job it was no different to me working on a piece of music
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it is flat out there isn't anything else and what I've learned in my life and I say this to anybody if
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you probably know what I'm going to about to say but if you want to achieve something you have to
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sacrifice something something has to go to do something maybe big if you want to climb out Everest you
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can't stop halfway and go to waitrose because you forgot to do some shopping or take the dog for
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walk it's all out all or nothing you trained for that mountain you're climbing it and whatever it
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takes and those that go around you say okay he's climbing a mountain what are we going to do you have
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to put off things and suffer not having or being or doing things because of what you're doing and
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I would say to choose the life of a writer is it's probably comparable that sacrifice and dedication
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it doesn't just apply to a writer but I've experienced that with studying the law there's no messing
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about you don't study for five years and then screw it up it's a waste of five years do it or don't
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do it that is my attitude be a professional once you decide to do it go for it put everything into it
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but there was a price to pay in terms of friendships and all kinds of things I could have done
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instead of sitting at a piano writing the next phrase you know and spending all day on something
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really simple and that has been my life and I know that applies to a lot of other people
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what it takes to come up with something but for example working in a recording studio
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if you've ever been in a recording studio and you're watching people record it's like the public
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must curve that we're insane because you spend hours fiddling with one note to perfect it's not
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quite right you know or a painter without stroke with the brush you know or the writer do I put a
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comma here no not a comma it's going to be a semi-common surely oh I don't know I'll come back to it
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when you get into this detail and it takes time and that's but that is what it takes and now I can sit back
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at my tender age of a poem and I can say yeah I know what it took to create these products it's not
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that everybody's going to like what you do it's about your own honesty and your own integrity
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did you do the best that you could do because that's all you can do you can't guarantee anybody's
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going to like it or buy it but to sit back and not having put everything into it no that's not
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the way for me so I spent a long time on every task it's an all-on-nothing mission and the comedy
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of the writing these are things that there isn't really a question of how it comes about because
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everybody is unique and and you have everybody has something and that's something it is in me what
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it is I would never ask for example a famous artist well how come you're an artist and because they are
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that is their talent and they are demonstrating it so I can't explain where this stuff came from
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but I can say that I must have had a drive enough to push aside family considerations and
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friends and all the things that people are doing in their lives in the usual course of things I
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haven't done any of it if I'm I'm happiest when I'm creating and it is frustrating because it's me
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and I'm a keyboard or me in just a room writing but that is the life and I wouldn't have all these
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products and I have quite a bunch and with more coming and I wouldn't have them if I didn't make that
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so I think my advice to anybody is when you do something do it as a professional put your heart
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and soul into it and then you at least will be happy with what you did and how you did it well exactly
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it came to mind earlier on when you were saying about writing comedy Jerry Seinfeld and George
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Kustanzer could have done with that sort of advice I think if you remember the Seinfeld episode
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where they were trying to write a pilot for a new series and they basically just messed around
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doing it and they didn't know what they were doing they could never sit down and do it people are
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going to get the idea from you I mean this is the point concentrate on something and be professional
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in what you're doing right I mean and does your mind obviously works like this all the time then
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you know in terms of being able to you know to look at completely ordinary things and see
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something ridiculous in it and then concentrate on actually being able to put something together
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whether whether or even if it's not ridiculous you know in your music as well I mean
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what's interesting though is that you see me equally comfortable producing something that delivers
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a laugh in just a couple of lines like a punch line as you say right and something much much much
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much more elaborate like the Jazz Gate scandal for instance which is harder right so which is
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harder actually making somebody laughing two sentences like Tim Vine in the UK I guess a punchline
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guy excuse me or keeping them laughing throughout an entire story because I put my hands on it
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so so you know so difficult as far as I can say though what do you think yes well that's a good
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example I didn't want to mention that book but that kind of it's it's it epitomizes really what
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we're talking about in that to write punch I think looking at the book if I try to analyze it
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objectively I think virtually every other line of dialogue is a punchline and I kept this up for
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like 95 pages I hope nobody falls asleep I'm fed I can't laugh anymore or it's not even funny but
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that book actually if you analyze it is not really a standard novel it's a hybrid publication
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because it is actually mostly dialogue I'm telling the story through dialogue not so much the
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narrative and it is and its source is genus is actually a screenplay which I converted into a novel
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because the screenplay is just sitting on a shelf doing nothing and it was one of these things I
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thought you know something I don't care what happens with this it's not going to be made into a movie
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that I can see at least not at this stage I will convert it into what looks like a novel and you
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can like it or not like it but the the work yeah I mean that's the same level of work and concentration
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to write that quantity of of jokes and and have a story with characters all who have ambitions and
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frustrations and there's intrigue and there's oh it's all kinds of stuff and the crazy cool case
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ah thank you thank you Chris the high point of the Jazzgate scandal is a psychotic courtroom
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scandal the lack of which is beyond even my imagination but it would never have happened
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for a head but for my legal training see it just came through because I know I made up my own rules
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there's no established core protocol I made my own core procedure in order to make it work but
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the feeling that you're in court and the opposition and the feelings the emotions and the
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cross-examination it's all in there and delivered with a comedic punch so if you like I would say if
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you like spike Milligan maybe some like it hot you like that book and of course it's quite well I
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want to say timely I don't know about that but it's central characters an American president right
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who's convinced it it's a famous jazz singer this is a made do you know something I actually wrote
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the the first idea for this book which I I have like here next to me the original manuscript
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in the 1990s and I realized that politics is always dirty and corrupt it doesn't change
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and there may be some good guys in there don't want to demean everybody but that side of politics
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it's like I was I wrote this stuff and this year I decided to publish this book and I had the same
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thought unit I thought you do something this book it look when you look at the cover my my own
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thought I've written the book and I designed the cover I thought is there a scandal going on that
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I don't know about it looks like there is one it's got the word gate which is very popular for
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scannitals jazz gate it's got the word scandal it's got the white house it's got the president
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and I thought do you know something I hope I'm not being prophetic
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because the well it goes the way it goes but yeah maybe maybe that will help with the you think
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that would help with the sales I don't know let's give it a whirl there you've got the SEO right
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there that's for sure right people might by thinking oh there's a scandal going on exactly so I'll be
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well yeah sorry I was just gonna say that you know it must be difficult now I mean I don't know
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where the political satire is something that you want to continue with considering you wrote that
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so long ago but that must be really difficult for people nowadays because you know real life just
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keeps getting more ridiculous than the fiction they can actually make up right yeah man it's
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quite amazing really okay so to wrap things up here it unfortunately which is a real shame because
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man I can imagine going down the pub with you it's quite interesting right you're a jazz pianist
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a composer is writing about a musician the singer you know showbiz and then there's the law again
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and sort and it's amazing I mean and that's the point right I mean the the the musician and the comedy
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writer do you I really want to know this do you think you use the same part of the brain for that
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because I know that it is slightly different my other son has is well anyway classical sort of
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choir and things like that and he's yeah I would say I would say so but what do you think
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well the the we have a part of the brain for creation is that right yeah
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that would that would include non comedy wouldn't it is creation I said well yeah but isn't
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isn't music kind of along the way of mathematics or math or maths or whatever you want to say okay I'm
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going to I'm going to solve this for you because I've heard that all my life yeah maybe it's because I
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hated school so much I didn't understand one word or symbol of mathematics and I heard this
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maths and music connection and the way I made sense of it was that when I'm recording music
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you're playing notes with chords you have a keyboard you have scales you have sections of a song
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it starts to look a bit mathematical it does and because of the synchronized the the the
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organization of thing that you could I can see the connection but I don't think that if you say well
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this kid is fantastic at maths is a musician but yeah he sure be I'm not sure your musicians
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we lose the maths yeah exactly right no I understand yeah I think it's a good point though I think
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it's that's a very good point you know um we think we as laypeople I guess we think it is because you
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know you're talking about beats and the four falls and but yeah as you say it's organization isn't it
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so okay so you've gone from the law to music all right and composition and now you've produced
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a substantial collection of comedy books what's the next thing that's going to get Steven Trio into trouble
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well we have something very special for the world because the a couple of the books actually
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I've got five books and I'm going to confess something I've sort of confessed it I'll just go the whole
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way now the five books they look like novels and you can read them as novels because they are stories
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but they are told more through dialogue than narrative and
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that means that they have the potential because I when I wrote them I was thinking more
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movers because this if you like I'm looking at my lifetime you know like where is it all going
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and I recently realized what it was all about and it wasn't about music it wasn't about
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writing in the end as much as I love it it seemed to be collectively an artistic endeavour that
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contain a lot of different threads and elements to it but me as a person my ended up with my true love
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being movies because in the songs that I write you're coming up with characters and storylines
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and they and somebody is singing the story well singing is still it's talking but you're singing
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words it's a story that you're unfolding and when I got into writing it's it's always you're
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writing about people even if I'm writing about an insect that can speak and I do that kind of thing
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but it's still for me that's a person with who has something to say it's speech it's characters
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and the influence of music in movies well there's a connection for you um is so strong inside of me
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that it's more powerful to to to create a character like let's say I'm writing a poem or a story
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about a person as I've done in my books but to see them come to life oh this is different
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it's like if you were a cartoon creature interviewing a cartoon creature the audience would go
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yawned but we're real people with real feelings and emotion and experiences to bring the characters
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that I'm writing about to life that makes it all worthwhile it's like I was been climbing a
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mountain and I didn't know I was on the mountain I'm going up one step with the time doing this
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if you were to use that I could write another song right at the time and where is this going
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and we are going to we are now producing we've started one of the books is now being made into a movie
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and I have another book which is going to be made into a movie full-length movie after that
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and then there's another four half hour short films and this is a major major product and it's
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going to end up they are comedy with real people and real ambitions and frustrations but I put it
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into a you know I comedy drama is what it comedy drama is fascinating because you have real people
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with real aspirations real frustrations real upsets real drama but you have comedy and the
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combination of comedy and drama is a unique genre it is unique because not everybody it's not
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let's it's not slapstick comedy it's real people I was thinking recently of Little Voice which I love
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that film with Michael Caine you've seen it little boy I haven't seen that oh you've got to see it
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but anyway it's still a comedy drama you're looking at real people and they you could sense there if
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they're what they're going through and yet you're laughing you're ahead of them so comedy drama is
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unique because you can make people laugh but make them think and feel and see the way problems
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are get resolved and for me I think all the writing it all it's all about people and to put it make
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it make them real that is is it for me I mean if I could make all the poems real put them all on
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stage with acting yes that would do it it's like if I were to recite my poetry I'd give it some life
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and if I need other people give them a script and bring it to life that's all it's bring it to life so
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move is for me yeah this is going to be very very interesting so these are big projects big big projects
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I'm glad I asked you that now I bought wow yes really good I was going to give it as the
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icing on the on the dough the cherry on top of the variant oh my god so all right currently not
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today what you're doing we're doing the vehicle a voice to die for here so yes and this book is written
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as a short novel but it is basically a converted script and it is writ broad it's got comedy but it
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has drama and it's tear jerker it's got everything in it and the the guys that are now working on the
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movie when the penny dropped as to what this was about when you've got something this is going to be good
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see this links with what I was saying about when you if I had tried to write this say 20 30 40 years ago
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I couldn't have done it I needed to live and experience and I don't want to put anybody off saying
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that you can't write a script or movie unless you live that's absolute rubbish because we all have
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an imagination go for it it just so happens I'm just saying that because in my for me the experience
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of a lifetime has allowed me to write the the stories so this one is coming to life and it is
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commercially crafted it's written with dedication and professionalism
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and it is not overly complicated it's powerful it's fast it's dramatic it's romantic it has all the
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elements that you want with a with a nice happy ending but you have to arrive at that ending
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that you're way through the driver and some comedy some musicians story it's about a singer
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and there we go again see I do this naturally exactly well listen and that is the voice to die for
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right and that's got quite a striking cover hasn't it the book I just seem to remember for
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looking through these hey low and it appeared okay right well unfortunately we really are out of
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the time Steven and book how and where would be the best places for people to discover your books
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and music you know your socials or anything else like that I would go to my website which is
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Steven Trio dot coml there you go nice and simple and they can they can find your your books on
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there and also books of there yeah you have reviews on there and you have description book
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descriptions and where you go exactly well Steven Trio thank you for it and entertaining trip
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through your life actually and everything that we've done that that that you've done that was me
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I'm trying to take some credit for it and really that you've done throughout your life to get to
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where you are now I wish you all the luck but you know possible obviously with the future movies and
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and TV shows I guess right but thank you very much for joining me on Author Conversations I've
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been Chris Dabbs and you know people you've heard it right you know that what Steven is going to
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write and has written already of course is really quite interesting if you don't know Spike Milligan
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you need to be looking up Spike Milligan and if you haven't seen either the movies that you mentioned
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you know some like it hot and little voice was it yeah we're okay check those out because what for
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me I'd say especially some like it hot you know I can't believe how old that movie is it's just so
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good anyway right enough enough of that rather as I'll start talking so thank you again Stephen
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has been lovely to have you on that was really great really enjoyed it fantastic excellent well
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hopefully speak to you again soon about another project thanks very much all right bye bye thanks
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bye if you enjoyed this conversation you can watch more author conversations here
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[Music]
Author, Jazz Pianist, Composer and Comedy Writer.
Steven Trio is a jazz pianist, composer, songwriter and author whose creative career has taken him from the legal profession to music, comedy and storytelling.
Introduced to the piano at eight, Steven was composing by fourteen and developed a passion for jazz, blues, funk, soul, reggae and Latin American music. Despite his ambitions to become a professional musician, he initially followed his father's advice and qualified as a solicitor - only to abandon the profession six months later.
His subsequent musical career included songwriting success in South America, before his interest in language and wordplay led him towards poetry and comedy writing.
His books include *Boobydoo*, *Burn and Yearn*, *The Jazzgate Scandal* and *A Voice to Die For*, combining absurdist humour, satire and imaginative storytelling.
Steven is now exploring film adaptations of his work, including *A Voice to Die For*.
**Official website:** https://steventrio.com/
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